I last mentioned
Keith Hennessey's work a year ago when I wrote about
How To Die. I'd call him a friend, because I really like him and his work, except that we never hang out, so I guess he's more of an acquaintance. I first encountered him when he invoked the God at Reclaiming's Spiral Dance Samhain ritual way back in the days when it was at
The Women's Building in the Mission District. His invocation left me panting. We know each other through Reclaiming circles, see each other socially and at tribal events like weddings, Obviously I'm a fan.
One of the most powerful theatrical experiences I've had was at the performance of
Spell. We, the audience, outdoors in the yard of an industrial building that housed art galleries and a theater, hoisted up a dripping Keith from a tub to a Eucalyptus tree above. Dangling by one foot from the rope, with his body in the form of
The Hanged Man and the roar of the Central Freeway practically right next to him, he implored the Ancestors for help. His prayer was so earnest and holy I nearly wept.
The good news is that the latest work of contemporary circus and performance by Keith and his colleagues in
Circo Zero, called
Sol Niger (Black Sun), will run again in January at
Project Artaud. I missed its first run this past September because that month was too crazy for me to find a night to go. Enjoy
this YouTube video.
Just in time for Thanksgiving, the
San Francisco Bay Guardian has thanked Keith for his work with the award of a
Goldie in the category of dance/performance. Congratulations to Keith! May his message spread.
