Much has been posted in
both mainstream and Pagan media about the untimely death of Margot Adler. People have spoken about the many ways she as
influenced them, about her teachings, her personality, her inestimable contributions. Just to round out the picture with yet
another perspective, I share her some remembrances. Because what is remembered lives.
I first heard of Margot
when I found Drawing Down the Moon on
a shelf in a local bookstore in 1979. I
took it off the shelf and skimmed through it and what do you know? There was a chapter called “Interview with a
Modern Witch” about my friend Sharon Devlin Folsom. And there on the cover was my friend Anna
Korn, clearly identifiable in the photo of the handfasting of Isaac Bonewits
and Selene Kumin.
I was friends with both
Anna and Sharon by way of the Institute of Celtic Studies here in the SF Bay
Area. Until that time, I was unaware
that either was Pagan. Since that time,
Anna and I have shared lots of projects together (in the context of CoG as well as with a former incarnation of
Reclaiming Collective), and Sharon and I have done a few rituals together. All three of us have remained friends.
However, it wasn’t until
I went to the first CoG MerryMeet on the East Coast, at Rowe Conference Center in Massachusetts
that Margot and I met. By that time my
late coven sister Bone
Blossom had been living in Connecticut and connecting with all manner of
NELCCOG (North East Local Council, now defunct). I seem to remember that it was Bone who
introduced us. What I remember more
clearly is that Margot had heard of a ritual that Sharon, Bone, and I had
brewed up and performed at Ancient Ways a year or three prior. That ritual, entitled “Kali and Other Dark
Goddesses,” seems to have had a profound effect on many people who participated.[1] In any case, Margot in NYC had heard of it
and so had my late friend Sequoia when
she was traveling in India. So I had the
thrill of being introduced to Margot, this prominent Pagan whose work I had
admired, and she already knew something of me.
We maintained a casual
friendship over the years, much like many who may read this. We encountered each other at events. She had me over for bagels and coffee at her
NYC apartment one time.
Sometime around 2000,
both the late Judy
Harrow and I both became involved with the incipient Cherry Hill Seminary, thanks to the
machinations of Cat
Chapin-Bishop. Margot was Judy’s Gardnerian
teacher/initiator/elevator. In addition
to being a well-respected and –loved Witch in the Northeast and beyond, Judy
was also Craft mother to another of the founders of CHS, Laura
Wildman-Hanlon, So I’m assuming,
although if I knew at the time I don’t recall now, that that is the route by
which Margot came to support the seminary.
However, it happened, Margot has been a consistent voice in support of
CHS. For the past several years she has
served on the Board of Advisors, where I’m currently proud and honored to serve
with her.
Thanks to my dear friend
and literary mentor, the late Patricia
Monaghan, Margot suspended her standing policy of not providing cover
blurbs, and wrote one for my first solo writing effort, Witchcraft and
the Web. She wrote, in part,
“…she deftly shows the impact of the Web on the Craft – how it is hanging the
religion’s notions of authority, leadership, authenticity, and even the way
rituals are conducted.” I’ve included
the quote here because it’s germane to our shared observations about the
expansion and new understandings of Paganism in our cyber age.
One of the people Margot
quoted frequently in DDTM (the first
edition; I don’t know about subsequent ones) was our mutual friend, the late Alison
Harlow. Although Alison was Margot’s
senior by a few years, they first bonded over the fact that both of them
attended a progressive City
and Country Grammar School in Greenwich Village when they were
children. Alison lived in my area of the
country. Our two then-covens, Holy
Terrors and Wings of Vanthi, sometimes circled together, and both of us were
active on CoG.
As sometimes happens when
someone is in the process of leaving this plane, their loved ones get weird. Alison was a Witch, a fact that some consider prima facie evidence of weirdness, or at
least oddness. In any case, Alison’s
loved ones experienced some intramural, if you will, discord at the time of her
passing. Feelings were raw. Margot was in NYC and I was in Northern
California, and further, I was not among those attending to Alison. I guess I was sort of a neutral yet engaged
party. Both Margot and I paid close
attention to any news about Alison’s condition.
She and I had several phone conversations about what was happening
surrounding Alison’s dying and in the days following her passing. There’s nothing like sharing in someone’s
birthing or dying to bond people.
In another context, I
remember a wonderful and very noisy dinner with about eight Pagan scholars (and
their groupies, such as myself) during the AAR
Annual Meeting in Philadelphia, city of my childhood. Some of those in attendance were younger and
fresher; some were scholars whose exposure to Paganism had been mainly in the
context of their studies rather than in
situ, so to speak. But Margot and I
were old-timers by that time, and both of us are talkers and really relish
stories about our communities. Oh, the
stories we shared at that lively dinner!
Our gales of laughter sometimes became too loud for a shared public
space.[2]
When I last saw Margot,
at PantheaCon 2014, she was constantly in demand so I didn’t intrude. However, I was pretty sure our paths wouldn’t
cross again in this life. So before the
con was over, I found a brief moment to embrace her and tell her how much I
treasured her. I’m really glad I had
that opportunity.
Crones
We were enjoying the CoG reception at PantheaCon 2013 when someone called for a group shot of the crones in attendance. There was lots of passing around of people's cameras; these are the shots that were captured in mine. It's really hard to get people to all be looking at the camera for a group shot.
Front row: Anna Korn,
Glenn Turner; back row: Magenta Griffin, Rachael Watcher, Macha NightMare,
Selena Fox, Vivianne Crowley, and Margot Adler
Late. Late.
Late. Late. Late.
Late. Do you notice how often my
references are to folks who have crossed over?
Six cites! I see many of Pagandom’s
early pioneers passing through the veil.
It is my fervent hope that their work, the examples of the lives they
led, their teachings, their spirits survive into the future as foundational to
contemporary American Paganism.
[1] That
ritual was reprised, by request, at MerryMeet in Saratoga a couple years later,
only Sharon wasn’t available so Sequoia took the priestess role originally
performed by Sharon.
[2] I
remember that the late Judy Harrow
was also at that Annual Meeting, and we had shared dinner the night before, but
she wasn’t at this particular table.
3 comments:
I love your picture together, and these wonderful words -- a powerful tribute. So sorry for yet another terrible loss, Macha..
Thanks Macha, very nice. One correction of fact: The picture on the first edition of Drawing Down the Moon is of the total solar eclipse ritual at the Stonehenge replica near Maryhill WA. THe little girl in front of me is also known to you: Kitty Crowe's daughter Caradwen von Braskat, usually now called Sabre. Isaac and Selene's wedding was in Oakland. There's a picture of it inside DDTM.
Best wishes,
Anna
Macha - as always, a wonderful post of your time with Margot. She and I had a great talk at PCon about five years ago in the elevator lobby when she emerged, glowing after a 30 minute workout in the gym. We sucked down coffee and swapped some marvelous stories...I will never forget her.
Post a Comment